Andrew (perspectivism) wrote,
Andrew
perspectivism

The Royal Tenenbaums

Solid in-depth look at the writer/director & his co-conspirators:

In Wes Anderson's head, the colors are brighter, the bookshelves are meticulously ordered, the bunk beds aren't just made--they look like you could bounce a silver dollar off them. In Anderson's head, a grown man would wear a blue gingham bow tie and a yellow gingham pocket square at the same time. In Anderson's head, Formica would come in only one color--that yellow-beige-with-fake-wood-grain that elementary school desks are topped with--and ideally it would have someone's name scratched into it. In Anderson's head, the string hanging from the lightbulb in the hall closet would have a green Monopoly house knotted to the grabbing end, not because any moviegoer could possibly see it on the screen but because a child would have tied it there, years ago, before everyone grew up and moved away.
As much as any filmmaker working today, Anderson makes films that reflect a distinct sensibility. Some people think his love of detail is precious, but they're wrong. Anderson sees as a child sees--vividly, completely, as if for the first time. In Bottle Rocket and Rushmore, that focus helped him create a style that translates more as fable than as fiction. With a $25 million budget (more than twice that of Rushmore) and a large, big-name cast, The Royal Tenenbaums is his most ambitious and risky undertaking. It has a whimsical innocence that will be familiar to Anderson fans, but it also peers intently into life's dark corners. (los angeles magazine)
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